Lightwright 6 console link pro#
FileMaker Pro 18 Advanced: Mostly for Followspot Tracking and the occasional custom solution.I use Data Exchange with Vectorworks to keep track of all unit info and EOS Console Link to manage groups. Vectorworks 2022: over 20 years of experience (since the.The noise cancellation on flights is pretty incredible. AirPods Pro (2022): Finally upgraded from the wired earbuds and glad I did.2017 iPad (5th Gen): Showing it’s age, but still works just fine for what I need: iRFR, Duet external monitor, Lightwright Touch, and TouchPortal macro deck for running OBS broadcasts.2021 iPhone SE (II): I held out with a 5S for as long as I could.Pre-M1 chip, so the battery life leaves a little to be desired, but otherwise excellent. 2020 MacBookPro 13″: handles complex drawing and rendering with ease.These are my honest recommendations and the commissions are modest. As a working artist, passive income generated in this way allows me to dedicate more time pursuing the things that really interest me. Here are some of my favorite products, applications, and services.įull Disclosure: some of these linked products offer commissions for online referrals. I’m a big believer in sharing what works. I use he/him pronouns, and I’m based out of Portland, Oregon, where Sarah Marguier and I are raising a family. Since 2017, I’ve been the Resident Assistant Lighting Designer at the Portland Opera. Wrightson, Duane Schuler, Rui Rita, Connie Yun, and Ben Stanton on numerous projects, including the Broadway productions of The Book of Mormon, Bloody Bloody Andrew Jackson, and August: Osage County. I continue to work as a freelance Associate/Assistant Designer, supporting Brian MacDevitt, Justin Townsend, Ken Posner, Robert Wierzel, Ann G. I’ve taught Design and Stagecraft courses at Portland State University, and served as a Guest Lecturer and Teaching Artist at Playwrights Horizons Theater School (NYU/Tisch), Crossroads School for the Arts & Sciences (Los Angeles), and The Catlin Gabel School (Portland). I have expertise in 2D drafting, 3D modeling, and database management platforms to create customized solutions for any theatrical application.
I’m also a skilled web designer for portfolio websites (like this one!) and virtual experiences. Outside the field of stage lighting, I’ve toured in various production capacities with Bruce Springsteen & The E Street Band, Bon Iver, and The National. I’m also a Company Member at Portland’s Third Rail Rep and a frequent artistic collaborator and conceptual consultant with Culture Mill in Saxapahaw, North Carolina.
I’m proud to be a Founding Member of New York City’s Woodshed Collective, where I’ve designed numerous immersive environments including the 53-room installation of The Tenant. I’ve created work across the United States, Europe, and Asia, including recent designs with Portland Center Stage, Portland Opera, Artists Repertory Theatre, Oklahoma Contemporary, American Dance Festival, Williamstown Theatre Festival, Profile Theatre, Third Angle, Ars Nova, Theater Freiburg, Shanghai Center Grand, Non-Stop Wroclaw, and the Eaux Claires Music & Arts Festival. My projects have ranged from creating building-wide site-responsive environments, to illuminating intimate scenes for the stage, to stadium-wide wireless network deployments, to developing cross-continental digital collaboration solutions. I’m particularly passionate about work that stretches technological boundaries and prioritizes sustained audience engagement. I’m a visual artist and live-event creator who often (but not always) works as a Lighting Designer for theater, dance, opera, and immersive experiences.
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